Los Angeles Nocturne's
L.A. Street Stories



 

Abandoned

A reporter breaks up a baby-selling ring. Good location shots, definite B-feature. Not available on video or DVD, so keep your eye out for it on classic movie channels. (1949)

 

 

Armored Car Robbery

Halliwell's says "A police lieutenant leads the recovery of half a million dollars stolen by gangsters." Good police procedural with great LA locations, with crisp direction by Richard Fleischer. Again, not available except on cable. (1950)

"Imagine a dish like this married to a mug like Benny McBride. The naked and the dead."

 

 

Between Midnight and Dawn

Two radio-car partners vie for many things, including the collar of a corrupt racketeer, the love of a good woman, and maybe even a slug of hot lead. Competent but unispired. (1950)

 

Beware, My Lovely

Robert Ryan has one of the best menacing presences on-screen. Here, as a psycho handyman, he's the only bright spot in the movie as he imprisons and terrorizes an unusually flat Ida Lupino. (1952)


Body Double

Deliberately derivative, this is Brian DePalma's salute to Hitchcock's "Rear Window" set in the Los Angeles of B-movies, porn stars, and obsession. (1984)


 

Crimson Kimono

More film than noir, this movie is mostly memorable for its late 50s Little Tokyo film locations than for the storyline, the angst of the two detectives who fall in love with their key witness in this murder mystery. And why are so many of the really good movies unavailable except if you luck out on TCM? (1959)

 

Criss Cross

Another great Ciodmak thriller with great Bunker Hill locations and all the classic film noir elements. Dan Duryea is his usual psycho-self. Remade as The Underneath (1995) with a better ending.(1949)


 
 

Dark City

A bookie turns to the tables for operating capital. After one of his clients lost money he didn't have and hangs himself, the bookie and his cronies one by one learn the existence of a murderous older brother. (1950)

"Why didn't you answer the phone?"
"There was nobody I wanted to talk to."

 

Dragnet

Seargant Joe Friday on the job, ma'am, investigating the murder of a connected ex-con. those familiar with the radio shows of the 50s will enjoy seeing them come to life on the big screen; those familiar with the TV show of the 60s will enjoy seeing the seaminess of the movie rather than the Brady-esque vision of the series. (1954)


Kiss Me Deadly

Halliwell's says, "By helping a girl who is nevertheless murdered, Mike Hammer prevents crooks from stealing a case of radioactive material. Curiously arty and excruciatingly boring private eye thriller, a ripe piece of cinematic cheese, full of tilt shots and symbols: even the titles read from down to up." Check out the cast, though - Ralph Meeker, Albert Decker, and Cloris Leachman. (1955)

"Do me a favor, will you? Keep away from the windows. Somebody might... blow you a kiss."


Pulp Fiction

Just see it.(1994)


The Replacement Killers

An assassin (the marvelous Chow Yun-Fat in his American debut) must choose between killing the son of a police officer or allowing his own family to be killed if he refuses the job. Hong Kong action, plenty of gunfire, and with a cast of your favorite character actors (including one of our favorites, Danny Trejo!), this is definitely one to watch. (1998)

"I'll need guns."


 

Scene of the Crime

Pedestrian B procedural with aspirations to noir. Nice seamy slice of post-war L.A. You can picture Jack Webb cutting his teeth on this one. (1949)

"Naturally, I know you know I know somethin'."
"I know you know I know you know somethin'."

 

True Romance

Quentin Tarantino scripted a surprisingly good on-the-lam flick with an outstanding cast, chock-full of his usual actors & characters. In a nutshell, Slater, with new wife Arquette, embark on their honeymoon with her dead pimp's mob cocaine stash. Much excitement ensues. A must see. (1993)

"Who are you?"
"The Anti-Christ. You get me in a vendetta kind of mood, you tell the angels in heaven you never seen evil so singularly personified as you did in the face of the man who killed you."


 

Union Station

Standard mystery thriller. This movie's inclusion is based on great Union Station locations and as always, William Holden's admirable performance. Second alternate if the video store's out of what you wanted. (1950)

"Gonna send that kid home, aren't you, Joe? I mean after we collect."
"She'll go home...they ever fish her out of the river. Let's have the coffee, huh?"

reviewed by Tim

 

 




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